This fine property, built in the typical Bigorre style, is located in the heart of Tarbes’ old town, near the cathedral, and contains the personal belongings of Foch and his family.

Since the end of the First World War, a plaque has reminded passers-by that the Supreme Allied Commander was born here. 

A listed building since 1938, the house was made into a museum in 1951.

On 1 March 2008, ownership of the property was transferred from the French State to the City of Tarbes.

A typical 18th-century Bigorre house, it is of particular architectural interest, with its balustered exterior gallery with pelmets and marble-framed windows. Inside is a fine staircase in carved wood, imitating 17th-century ironwork.

This intimate setting was where Ferdinand Foch spent the first 12 years of his life. Today, the family home houses the personal belongings and mementos of Foch the officer. Portraits depict the military man who was made a Marshal of France, a British Field Marshal and a Marshal of Poland.

The collection consists of personal belongings of Foch and his family, which chart both his personal journey and his public life as a Marshal of France. One room is devoted to the gratitude of the Allied countries.

A graduate of the École Polytechnique, a trained artilleryman and a teacher of tactics of warfare, Foch is remembered as one of the great figures of the First World War, who led the Allies to victory. Marshal Foch died on 20 March 1929 in Paris, leaving behind the memory of international gratitude.

Maison Natale du Maréchal Foch
2, rue de la Victoire - 65000 Tarbes
Tel.: +33 (0)5 62 93 19 02
Email: musee@mairie-tarbes.fr

Tarbes City Council

A WWII museum founded by 18 veteran, resistant, deportee and other associations presenting the area's history (the war prisoners, stalags, deportees, escapees and resistants, the Franc Pommiès corps, and the Bigorre Regiment).

The history

18 veteran, resistant and deportee associations worked together to build this museum which was inaugurated in 1989. It contains 1,400 stamps, posters, photographs, objects and models to illustrate an episode in French history in the light of international developments. It shows Resistants and their relentless efforts to free France and preserve human dignity. This collection was originally compiled by a group of deportees as an itinerant exhibition. Today, however, it is on show in a building that used to belong to a school. You will find information about events in the area's history and about the stories of the people who shaped it.

Thematic collections

The emprisonment (emprisonnement) collection tells the story of the 1.6 million French war prisoners who got caught up in this "peculiar" war. These soldiers were victims of the June 1940 "debacle" and many of them spent five years behind barded-wire fences in the stalags. This collection casts light on internment conditions though testimonials by prisoners who survived Stalag 325 Rawa-Ruska, the easternmost camp (it was in Ukraine). That was where Hitler's Germany sent the recidivist escapees and saboteurs it could not defang and therefore wanted to eradicate. It also illustrated daily life in those camps.

Stories of deportees' tribulations and of escapees' quests to cross the Pyrenees and join the Allied forces to take part in France's liberation unfurl concurrently. This museum also tells the stories of this region's Resistance. Examples include the railway workers (cheminots) and their role in the Battle of the Rails (Bataille du Rail), the Hispano-Suiza (Alstom) plant sabotage by a Franc Pommiès commando (which spared the population a brutal air raid), and the Bigorre Regiment's first battalion, a group of Upper Pyrenees'Free Corps (Corps Francs) volunteers that joined the Pointe de Grave front and took the Pocket of Royan (Poche de Royan) in April 1945.
 

Museum services

The museum can arrange meetings with WWII eyewitnesses. It also caters to school groups (including eyewitness meetings) by appointment. It likewise plays an active role in the annual national Résistance and Deportation contest, making travel arrangement for winners. An audiovisual room showing video footage of the deportation, resistance and landings, and a WWII library (on-site, by appointment). Current projects Gathering eyewitness testimonials.
 

Tarbes Resistance and Deportation Museum

63, rue Georges Lassalle 65000 Tarbes Phone

+33 (0) 562 51 11 60

Tourist Information Office

3, Cours Gambetta 65000 Tarbes

Phone +33 (0) 562 51 30 31

Fax: +33 (0) 562 441 763

e-mail: accueil@tarbes.com

Office du tourisme de Tarbes

Opening hours and visits

Open by appointment Monday through Friday 9.00 am to 12.00 noon and 2.00 to 5.00 pm

Free admission

Limited access for reduced-mobility visitors.

This memorial is dedicated to the Pommiès Free Corps (Corps Franc Pommiès or CFP), a prestigious detachment of the Résistance who, by sabotaging the Hispano-Suiza (Alstom) factory, spared the population the cruel consequences of aerial bombardment during the Second World War.

This army, organised by General André Pommiès turned the Magnoac region into a hard nucleus of the French Résistance. Born in 1904 in Bordeaux, Lieutenant Colonel Pommiès had trained in the information services, retaining his military contacts and a sense of organisation.

In 1940, Pommiès refused to accept the defeat. He was given the task of secretly mobilising an army in the High and Low Pyrenees, the Landes and the Gers regions.

The Free Corps was very actively involved in the liberation of the country. In fact, the Pommiès Free Corps was one of the main constituents of the Army Résistance Organisation (Organisation de Résistance de l'Armée or "ORA") in the southern zone.

On the very day the Army was disbanded, 17 November 1942, Captain André Pommiès decided to create a Free Corps on the territory of the 17th and 18th military divisions (the south west). In each département, an officer was appointed to set up a clandestine unit. For two years, "maquisards" (members of the Résistance) from the Free Corps were used in transporting weapons and equipment, parachute drops and sabotage of the principal means of transport and energy production used by the occupying forces in the region. At the end of 1943, the southern zone was 30,000 strong and the northern zone 15,000.

Alerted by messages from the BBC, on 6 June 1944 Pommiès called on all his personnel (12,000 men) to use guerrilla tactics and intensify their destructive actions. After the Allied landings in Provence on 15 August 1944, battles for liberation succeeded guerrilla warfare. The Pommiès Free Corps took Auch, Pau and Tarbes. He was then given the mission of preventing members of the Wehrmacht, the Gestapo and collaborators from crossing to Spain. Whilst one section of the forces of the Pommiès Free Corps was maintained in the Pyrenees to guard the border, the other sections headed to the northeast. After crossing France, they met up with the army of General de Lattre de Tassigny at Autun and took part in the fighting for the liberation of the town between 7 and 9 September 1944.

On 24 September, fighters from the Pommiès Free Corps were incorporated into the body of the 1st Army. Now having become regular soldiers, they took part in the Vosges campaign and then that of the Alsace, most famously taking the strategic heights of le Drumont and le Gommkopf. In February 1945, the Pommiès Free Corps became the 49th Infantry Regiment (49e Régiment d'Infanterie or 49e RI), a former regiment of Bayonne with a glorious past, adopting its flag with a black star. On 1 April, the regiment arrived in Germany and advanced towards its final objective, Stuttgart, which it took on 21 April 1945. From its foundation up until the Liberation, the C.F.P was to carry out 900 military operations. The human cost was particularly heavy: 387 killed and 156 deported.
On 6 June, former members of the network came to join in private prayer during an anniversary ceremony. In June 2003 a museum area was opened in the café "Bouges" in the centre of Castelnau-Magnoac, which served as a letter drop for the maquis (Resistance fighters).
 

Memorial and museum of the Pommiès Free Corps

Esplanade Village 65230 Castelnau-Magnoac

Tel: + 33 (0) 5 62 99 81 41

Site du musée

Tourist Information Office

Maison du Magnoac 65230 Cizos

Tel. + 33 (0) 5.62.39.86.61

Fax: + 33 (0) 5.62.39.81.60

Tourist Office

3, Cours Gambetta 65000 Tarbes

Tel.: + 33 (0) 5.62.51.30.31

Fax: + 33 (0) 5.62.44.17.63

E-mail: accueil@tarbes.com

Located in a magnificent green setting in the heart of the city, the Massey Museum was born out of the dreams and desires of a man from Tarbes, Placide Massey. Placide Massey was the manager of the Le Trianon tree nursery and the vegetable garden of the Queen at Versailles. On his retirement he decided to build a villa on land purchased in Tarbes, where he had already created a park planted with rare species. On his death in1853, he bequeathed some of his properties to the city of Tarbes: a remarkable garden and an unfinished project for a museum, an oriental style building, dominated by an observation tower looking on to the Pyrenees, the work of the architect Jean- Jacques Latour. The town has since fulfilled the gardener's dream: the rare species garden has now been given the label of "remarkable garden" and is open for everyone to enjoy and the museum has been given the label "Museum of France".

The Massey Museum is closed to the public as the building and its collections are currently undergoing a large-scale phase of reconstruction and renovation.
In 2005 the works were entrusted to the Parisian architectural firm Dubois et Associés, who have outstanding references testifying to their sound experience in redeveloping museums: the Museum of Fine Arts in Caen, Museum of Fine Arts in Lyon and the Toulouse Lautrec Museum in Albi. In 2009 the Massey Museum's collections were transferred to modern and practical stores installed on the site of the former weapons store, the 103. This completely renovated former tobacco factory is now a "centre for conservation and heritage studies" and is also home to the city's archives. Now emptied of all its objects, the Museum can at last undergo a face lift. The work that started in June 2009 will be finished at the end of 2011. The façade already offers a glimpse of the quality of the restoration work in anticipation of the interior renovations. The public will be able to visit a modern building designed to respond to the requirements for conservation of the public collections, as a record of society and respond to the expectations of as wide an audience as possible. Everyone, whether or not they are an expert, should be able to experience a moment of pleasure, conviviality or culture in this magnificent setting.
The tour covers the first two floors where the museum's two largest collections are to be displayed: the historical collection of the Hussars and the fine arts collection. The ground floor and some of the first floor will be devoted to the history of the hussars. The two large rooms on the first floor have been reserved for displaying the fine arts collections. 1 - The international Hussars collection: The Hussars collection was built up from 1955 onwards by Marcel Boulin, who was then the museum curator. This collection, which is now of international importance, links the breeding of Anglo-Arab horses with the presence of the regiments of Hussars in garrisons in Tarbes. The public displays in the new museum will present the chronological history of the Hussars from 1545 to 1945.
The major stages in the museum tour will put the emphasis on the tactical originality which gave birth to the "hussar phenomenon", to its expansion across the world from the 16th to the 20th centuries and to the continuity of its Hungarian origins in the identity and the role of Tarbes as a place where this is preserved for France. Two hundred full-sized models and busts, six hundred weapons and a hundred paintings by artists such as Horace Vernet, Ernest Meissonnier and Edouard Detaille will tell the eventful history of the hussars from thirty different countries. Epic events as well as more personal ones will be recalled through accurate text, original exhibits, specially selected illustrations and the use of new multimedia technology.
2 - The fine arts collection Achille Jubinal, a lover of art and Member of Parliament for the Hautes-Pyrénées département, was the founder in the 19th century of the Massey Museum's fine arts collection. He formed his collection of major works from the Italian school of the 16th and 17th centuries, the Dutch and Flemish schools of the 16th and 17th centuries and the French schools of the 18th and 19th centuries through an intermediary network of friends and political connections. His initiative led to further donations, such as those from the Fould family and the Academic Society of the Hautes-Pyrénées. Other important works granted by the State came to further enrich the collections. In the new rooms on the first floor the Massey Museum will display a selection of the most distinctive works. The setting up of temporary exhibitions will provide a greater insight into the works held in the stores. The public will thus be invited to discover and enjoy the masterpieces displayed on a themed tour, where mythology and the religious arts have an important place.
Massey Museum Mairie de Tarbes Massey Museum- BP 1329 65013 TARBES cedex 09 Tel.: + 33 (0)5.62.44.36.90 E-mail: musee@mairie-tarbes.fr